UNEARTHING(S) is Hannah Catherine Jones’ largest solo exhibition to date, and the first in her home county. The site-specific installation responds to Leeds Art Gallery’s distinctive Central Court.
Artist, composer and multi-instrumentalist Jones is known for her use of performance, layered soundscapes and spatial interventions to conjure other-worldly installations. Jones’ work focuses on questions of decolonisation, seeking to disrupt the status quo, (re)centre marginalised voices and create space for collective healing.
UNEARTHING(S) explores individual and collective themes of grief and regeneration. Considering the personal and cultural loss we experience across space and time, the exhibition draws upon the artist’s own history and experience growing up as part of the region’s Caribbean diaspora.
Riffing off the Central Court’s chapel-like architecture, Jones has created space for contemplation by using combinations of sculpture, light and sound. UNEARTHING(S) references and samples Yorkshire and Bajan culture, filtered through Jones’ unique artistic style, infused with subtle mixtures of poignancy and subversion.
The exhibition is shown alongside Arp: The Plasters and Garth Evans: The Anti-Virus Sculptures as part of Leeds Art Gallery’s Summer of Sculpture.
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Exhibition Event Programme
Join artist, composer and multi-instrumentalist Hannah Catherine Jones and Yorkshire Contemporary for a programme of free public events at Leeds Art Gallery.
Tour for Practicing Artists 25 July, 11am–12pm
booking required
Guided Listening Session 25 July, 2–3.30pm
No booking required, arrive early to avoid disappointment
Live Performance – 29 August, 2–3pm
No booking required, arrive early to avoid disappointment
All events are free and take place in Leeds Art Gallery’s Central Court.
Hannah Catherine Jones reflects on the inspiration and creative process behind UNEARTHING(S) in the artist film below: